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1924 Francisco Simplicio | Vintage Guitar® magazine
https://www.vintageguitar.com/3864/1924-francisco-simplicio/
April 5, 2010. 0. 1924 Francisco Simplicio. Francisco Simplicio was one of the most highly regarded Spanish (to be precise, he was Catalan) makers of the first half of the 20th century, being the only student and successor to Enrique Garcia, who worked in both Madrid and later, Barcelona. Simplicio began his guitar making career in 1919 with ...
Francisco Simplicio Guitar Plans — Parra Guitars
https://www.parraguitars.com/simplicio-guitar-plans/simplicio
The plans are full size, computer drawn, printed on architecture quality 18x24” paper, and highly detailed with dimensions and information for building a guitar replicating the luthier style of Simplicio. Features of this plan include: -650mm scale. -Asymmetrical soundboard bracing innovated by Simplicio. -Accurate drawing of one of Simplico’s headstock designs inspired …
Francisco Simplicio - Guitar Salon International
https://www.guitarsalon.com/luthier-francisco-simplicio
Francisco Simplicio (1874-1932) was brought up in Barcelona, and was a cabinet-maker before turning to the making of guitars as a pupil of García. On García’s death, Simplicio took over the premises at Paseo San Juan No. 110, trading for several years using García’s labels. His own labels incorporated the information that he was García ...
Francisco Simplicio Guitar Plans — PDF Version — Parra Guitars
https://www.parraguitars.com/simplicio-guitar-plans/simplicio-pdf-version
The plans are full size, computer drawn, printed on architecture quality 18x24” paper, and highly detailed with dimensions and information for building a guitar replicating the luthier style of Simplicio. Features of this plan include: -650mm scale. -Asymmetrical soundboard bracing innovated by Simplicio. -Accurate drawing of one of Simplico’s headstock designs inspired …
Francisco Simplicio Classical guitar - Spain - 1925 | All ...
https://www.theguitardatabase.com/main_database/francisco-simplicio-classical-guitar-spain-1925/
Search Database Acoustic Francisco Simplicio Classical guitar - Spain - 1925. TYPE. Acoustic Hollow Body Classical guitar. FEATURES. Fan-shaped bracing à la Garcia ... INFORMATION. This model is inspired by Garcia in terms of size, appearance, weight and fan-shaped bracing of eight bars. Even the machined head is identical to Garcia’s. Last ...
1929 Simplicio | Daryl Perry Guitars
https://www.perryguitars.com/custom-handmade-classical-guitars/1929-simplicio/
1929 Simplicio. One of the first and most important luthiers to embrace the central ideas of Torres was Enrique Garcia of Barcelona. Francisco Simplicio was his only pupil and successor. Garcia introduced an asymmetrical eight fan-strut bracing pattern that was very successful. The Garcia/Simplicio guitars are characterized by an extremely high level of craftsmanship, as well …
Soundboard bracing (asymmetrical fan alla Garcia and ...
https://guitarsbyemily.wordpress.com/2017/01/15/soundboard-bracing-asymmetrical-fan-alla-garcia-and-simplicio/
Enrique Garcia and his apprentice, Francisco Simplicio, were known for their use of an asymmetric 8 fan bracing pattern. The treble side of the guitar has 4 braces, the bass has 3, and then there is one in the centre. The other cool thing about this fan bracing set up is that all of the braces have different focal points.
Francisco Simplicio Guitar Bracing //FREE\\ - Wakelet
https://wakelet.com/wake/aVgIb2dZHNMuFCTA7fzoi
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SIMPLICIO | GourlayGuitars
https://www.gourlayguitars.com/simplicio
Francisco Simplicio was perhaps the most prominent and important luthier in Barcelona in the early 20th century. As the only pupil of the master, Enrique Garcia, he carried on Garcia’s innovative and exquisite styling. The Garcia/Simplicio guitars are characterized by an asymmetric 8 fan bracing pattern which adds an additional fan brace to the treble side and feature a …
The classical guitar soundboards and their bracing
https://www.academia.edu/40226144/The_classical_guitar_soundboards_and_their_bracing
Francisco Simplicio, circa 1930 in Barcelona14, divided the sound hole of some guitars into two parts, arranged on each side of the fret board, and placed the middle bar much higher, which accentuated the lows and gave them an explosive character (the guitar had been increasing its sound range towards the bass since the end of the XVIth century; he was perhaps tempted to …
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