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Planing And Chopping Stock For Some Dulcimer Soundboard …
https://www.dougberch.com/planing-and-chopping-stock-for-some-dulcimer-soundboard-braces/
I don’t use a set thickness or bracing pattern for dulcimer soundboards. The goal is to create a soundboard with a pleasing balance of weight, stiffness and strength. ... S. Hunter Smith, Hammered Dulcimer Player – Born In 1828. Next. Music I’d Like To Hear #16. Contact. Doug Berch P.O. Box 87 Okemos, Michigan 48805 (517) 325-3091. email ...
Bracing The Back Of A Dulcimer – Doug Berch
https://www.dougberch.com/bracing-the-back-of-a-dulcime/
Bracing The Back Of A Dulcimer. By Doug. On May 21, 2009. In Dulcimer, Dulcimer Makers. The influence of the back and sides of a dulcimer can effect the sound almost as much as the soundboard. Over the years I have found that there are no hard and fast rules as to what works best. This goes not only for dulcimer backs but just about everything ...
The Dusty Hammered Dulcimer Sound
https://manufacturing.dustystrings.com/hammered-dulcimers/about-hammered-dulcimers/the-dusty-sound
Dusty Strings builds a number of hammered dulcimer models. They differ in size, materials, and bracing methods, and each offers its own benefits - from the affordable laminated-soundboard Prelude with a sweet, balanced sound and easy portability, to the substantial and lush-sounding 4.5-octave D670. While the size and materials always affect ...
Hammered Dulcimer Models - Dusty Strings
https://manufacturing.dustystrings.com/hammered-dulcimers/browse-models
Hammered Dulcimer Models. ... The Overture has a soundboard and back of laminated birch, and the D45 is made of all solid wood. ... Chromatic Sereis dulcimers are made of all solid wood with a more sophisticated internal bracing system, which produces unparallelled resonance, clarity and depth of tone. D300. D500. D550. D570. D650.
Does a black soundboard make it easier to play the hammered …
https://manufacturing.dustystrings.com/blog/does-a-black-soundboard-make-it-easier-to-play-the-hammered-dulcimer
When we hear this question, it's usually centered around string visibility in particular, since the dulcimer has so many of the gosh-darned things. The steel strings show up very nicely against a black soundboard, and it's easy for a new player to assume that the extra visibility will be the difference between fun and frustration.
Dulcimer Back Braces – Doug Berch
https://www.dougberch.com/dulcimer-braces/
I don’t have a standard pattern for dulcimer back braces. I don’t have a standard pattern for bracing dulcimer soundboards either. The bracing pattern, number of braces, and size of the braces depends on the sound I am after and the wood involved. It would be easier and faster to standardize things but that wouldn’t be any fun at all.
An Interesting Dulcimer Repair – Doug Berch
https://www.dougberch.com/interesting-dulcimer-repair/
The cracks in the soundboard were typical cracks one sees in a quarter sawn spruce soundboard and were easy to fix. The back was another story. The back is made of poplar. Poplar is one of the traditional woods for dulcimers and works well but on this dulcimer the poplar is close to paper-thin and flat sawn.
David's Dulcimers
https://www.davidsdulcimers.com/faqs.html
Bill Troxler's reply: T he sound quality of a hammer dulcimer is dependent upon five factors: the wood of the soundboard, the design of the instrument, the quality of the builder’s art, the striking surface of the hammers, and the performance style of the player. The soundboard wood establishes the essence of the sound signature. Tonewoods used for dulcimer soundboards …
17/16 HAMMERED DULCIMER KIT Assembly Instructions
https://www.harpkit.com/mm5/pdf/Instructions/1716Kit.pdf
INNER BRACING The two INNER BRACES are cut with a slope at each end. The function of these braces is simply to support the TONE BAR, which, in turn, supports the middle of the SOUNDBOARD. These BRACES do not need to touch the PINBLOCKS. Measure the distances (shown in fig. 6) from
The Dulcimer's Overall Design - Bear Meadow
https://www.bearmeadow.com/build/design/html/dynamics-2.html
The basic acoustic dynamic of the Appalachian dulcimer, the primary producer of sound, is the vibration of air inside the body, according to my friend and famed guitar luthier, Alan Carruth. ... Proper bracing of the back will produce an Appalachian dulcimer which is not damped by the legs when played on the lap; it will sing with the same ...
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