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Santos Hernandez | Great Guitars of the Past
https://johnguitar.com/luthier,restoration,making,top,bridge,back/santos-hernandez/
Santos Bracing. Posted on 01/04/2020 by johnray. You can sure see where Barbero got his ideas. ... The first element in this “collection” is the 1924 Santos Hernandez, faithfully copied from the original which Andrés Segovia donated to the Musical Library in Madrid and is conserved there. Someone get the word out to Russell and Barrueco ...
Santos Hernandez bracing pattern - Foro Flamenco
http://www.foroflamenco.com/printable.asp?m=13718
TANúñez-> RE: Santos Hernandez bracing pattern (Dec. 13 2004 17:33:32) Since we're on the subject of bracing patterns, here's a pic of a Barbero bracing pattern I'm currently building. The photo is not a mirror image. I am left-handed! The angled transverse bar would be slanted the other way if it were braced right handed.
Making a Copy of a 1933 Santos Hernandez Guitar
https://www.wilsonburnhamguitars.net/2013/03/making-copy-of-1933-santos-hernandez.html
I chose the Santos Hernandez pattern, it is an elegant outline and Hernandez did make the 1912 Ramirez guitar that made Andres Segovia famous. Following the original plantilla, I reduced the guitar's body size to what is considered a small box, around 470mm in length, this reduction is to match the proportions of the guitar to the string length.
Santos Hernandez - Flamenco — Guitar Plans
https://www.masterguitarplans.com/santos-hernandez-flamenco-1/
Santos Hernandez was the most gifted and famous maker of flamenco guitars in the 20th century. His work on perfecting the design of the flamenco guitar helped establish it as a fine instrument, very different in character to the classical guitar. There are two basic ways in which the flamenco guitar differs from the classical guitar.
New Guitar Tops-Hernandez y Aguado and Santos Hernandez
https://www.wilsonburnhamguitars.net/2013/11/new-guitar-tops-hernandez-y-aguado-and.html
Hernandez y Aguado are believed to have developed this style of bracing after seeing the inside of a guitar that was made by Jose Ramirez III in the early 1960's. I used this bracing on my guitar No. 5 with great success. This guitar will …
Great Acoustics: 1933 Santos Hernández | Acoustic Guitar
https://acousticguitar.com/great-acoustics-1933-santos-hernandez/
T hough little known in the steel-string world, the guitars of Santos Hernández (1873–1943) are among the most collectible anywhere. In subtle but important ways, Hernández influenced many builders by altering Torres’ ideas, including slanting the interior’s harmonic bar downward to brighten the sound and positioning the fan braces more parallel to the top’s wood …
The classical guitar soundboards and their bracing
http://www.orfeomagazine.fr/documents/Soundboards_DF.pdf
The fan bracing was first used, according to our present knowledge, by the luthier Francisco Sanguino (Fig. 6) and later by Josef Benedid and Juan Pagès in Cadiz towards the end of ... was the Madrilenian luthier Santos Hernandez who set the middle bar at an angle to enlarge the 4 Romanillos J.L. "Antonio de Torres, Guitar Maker", 1987, ...
The classical guitar soundboards and their bracing
https://www.academia.edu/40226144/The_classical_guitar_soundboards_and_their_bracing
The classical guitar soundboards and their bracing ... In 1903, it was the Madrilenian luthier Santos Hernandez who set the middle bar at an angle to enlarge the 4 Romanillos J.L. "Antonio de Torres, Guitar Maker", 1987, p.173 to 208. 5Romanillos J.L. "Antonio de Torres", p.42 to 45 and 89-90. Torres’ Spanish predecessors, in the first half ...
1923 Santos Hernandez flamenco guitar
https://www.zavaletas-guitarras.com/collectors-guitars-1/1923-santos-hernandez
Santos Hernandez (1874-1943) is widely considered the greatest Spanish luthier of the first half of the 20th century, Santos Hernandez was born in Madrid in 1873. He apprenticed first with Valentin Viudes II, then went to work for José Ortega in Granada, but soon returned to Madrid to work for the Hijo de Francisco Gonzalez. ...
Santos Hernández, 1924 - Tobias Braun Guitars
https://tobiasbraun-guitars.com/detail_tobias_braun_hernandez_en.php?dsID=2
Santos Hernández, 1924. This instrument was part of the estate of the late Luise Walker (1988). Her teacher, Miguel Llobet, personally brought this guitar direct from Santos Hernández’s workshop to Vienna in 1924. The body of this instrument is really the antithesis of the 1912 Ramirez in terms of its dimensions.
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