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Tunniit: Retracing the Lines of Inuit Tattoos

    http://www.unikkaat.com/projects/tunniit-retracing-the-lines-of-inuit-tattoos/
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Tunniit: Retracing the Lines of Inuit Tattoos - Cinema …

    https://www.cinemapolitica.org/distribution/tunniit-retracing-the-lines-of-inuit-tattoos/
    TUNNIIT: RETRACING THE LINES OF INUIT TATTOOS is a personal and political documentary from Inuit filmmaker Alethea Arnaquq-Baril, whose latest film ANGRY INUK has won numerous awards. For over a century, traditional Inuit face tattoos had been forbidden by the Canadian government and the art-form almost forgotten.

Tunniit: Retracing the Lines of Inuit Tattoos - Nunavut

    https://gov.nu.ca/eia/news/tunniit-retracing-lines-inuit-tattoos
    Public Service Announcement Tunniit: Retracing the Lines of Inuit Tattoos Come to the Iqaluit Centennial Library/Unikkaarvik Visitor’s Centre on Wednesday, April 29, at 7 p.m. for a special screening of Alethea Arnaquq-Baril’s film “Tunniit: Retracing the Lines of Inuit Tattoos”.

TUNNIIT:RETRACING THE LINES OF INUIT TATTOOS | Native …

    https://nativespiritfestival.festivee.com/tunniit
    50MIN Trailer Availability ended 7/11/2020 BST (7 Nov worldwide) TUNNIIT: RETRACING THE LINES OF INUIT TATTOOS is the incredibly personal, poignant and political documentary from Inuk filmmaker Alethea Arnaquq-Baril. Inuit traditional face tattoos have been forbidden for a century, and almost forgotten.

Tunniit: Retracing the Lines of Inuit Tattoos – Sang Bleu

    https://magazine.sangbleu.com/2013/09/16/tunniit-retracing-the-lines-of-inuit-tattoos/
    Click here to watch an interview conducted by CBC’s 8th Fire with Inuit filmmaker Alethea Arnaquq-Baril about her 2011 documentary Tunnit: Retracing the Lines of Inuit Tattoos, which examines the lost practice of tattooing amongst Inuit women in Northern Canada.. As Arnaquq-Baril says: “Tunniit is an intensely personal film. It is about my journey to learn about …

TUNNIIT: RETRACING THE LINES OF INUIT TATTOOS

    https://www.suzannemethot.ca/wp-content/uploads/2019/03/Tunniit.pdf
    Tunniit details young Inuk director Alethea Arnaquq-Baril’s journey to discover more about the Inuit tradition of facial tattooing. Tattoos were once worn by Inuit women to mark their entry into adulthood, but disappeared during the last 100 years due to the influence of Christian missionaries, who disapproved of the “shamanistic” practice.

Tunniit: Retracing the Lines of Inuit Tattoos - Vimeo

    https://vimeo.com/ondemand/tunniit
    Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq- Baril, together with long-time friend and activist… Watch Tunniit: Retracing the Lines of Inuit Tattoos Online | Vimeo On Demand on Vimeo

Tunniiit - Retracing the Lines of Inuit Tattoos - Home

    https://www.facebook.com/tunniit/
    Tunniiit - Retracing the Lines of Inuit Tattoos May 21, 2019 · Decided to finally put up a FB page for this documentary because I get emails about it still all the time, 10 years later! 33 3 Comments Like Comment Share Tunniiit - Retracing the Lines of Inuit Tattoos May 21, 2019 · Once you have watched Tunniit, please watch this as a follow up:

Tunniit/Tattoos: The Complicated History of Photographing Inuit …

    https://thediscoverblog.com/2021/01/14/tunniit-tattoos-the-complicated-history-of-photographing-inuit-tattoos/
    This is one of a group of photos taken by Comer to record facial tattooing of various Inuit groups of Hudson Bay. He had Aivilik women paint their faces to simulate the tattooing styles of various other groups. Information from original envelope identifies this as Photo 55, # 33. The number 30 is etched into emulsion on plate.

Symbolism in Inuit tattooing - The McGill Daily

    https://www.mcgilldaily.com/2016/02/symbolism-in-inuit-tattooing/
    Directed by Alethea Arnaquq-Baril, Tunniit examines the Inuit tradition of tattoos, widespread among women. In the film, Arnaquq-Baril aims to rediscover her heritage, understand why and how Inuit tattoos have almost disappeared, and use the film as a precautionary message against cultural appropriation.

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